Excerpts from the Diary of William P______, a poser, c. 1770
Wednesday Left London and its liquidity behind us as we pursued a still more watery course westward. The Thames is not lovely this time of year, and the damp air does our instruments no good. Picked up a poor girl on Mon. who lost a husband and a baby within two days. We heard her in an alley singing lullabies like an angel over her dead child. Persuaded her to let us bury it and to come along. She cries mostly but Rosie has taken her under her wing. John needs his drum reheaded; a squirrel attacked it in the night. Can't fault the thing for its taste though— of all our instruments that was the one that needed consuming!
Friday Rain. Of course. And fog. Is art worth it?
Saturday It is. We were welcomed to an inn this evening and played for hours. People danced, and then listened spellbound to Rosie and her cello as they soloed through Gregory's March of Crey-morgan. Gregory sat in a corner and beamed, ink spots on his fingers. Where does he get the paper? Our little London widow, Emma, sang, something Gaelic and barbaric, but I must admit to being rather more swept away by it than not. I wonder where she learned it? Her speech is broader than Andrew's, not a hint of the west or the north about it. All night we were studied by a quiet man in a corner with a terrific nose and a pointed chin. I take no liberties. It is a description straight from fiction, but it is just. Must be well off— bought us all supper.
Tuesday Gregory's been inspired to write ballads for Emma. We've heard nothing but laments and glorious charges for days. We would all grow weary of his macabre explosions if they weren't so brilliant. As it is we bad-temperedly approve. It's the rain. Shared our supper with approx. 14 children this evening. Found them huddled under a bridge in a slough. Afraid they're all pick-pockets and thieves, but John insists that is why we should give to them— so they are not tempted to take. There is some logic there. Snapped my e string today. Don't know where I shall get another.
Thursday Yesterday was a remarkable day. Met the hawk-nosed stranger of Saturday last as we trudged along the riverbank. Apparently he is the Granville Sharp much talked about recently regarding the slavery case of the African Jonathan Strong. Followed it a little in the papers. His family lives on a barge in the river and they are all musical. Astonishing thing! The man can play two flutes at once! His niece told us so— this was after he brought us aboard— but we would none of us believe it till shy Emma asked him to demonstrate. It seems the girl has a love for flutes and we do not have one in our little band of posers. He played for her and a more fantastic thing I have never heard or seen. But more wonders were to come. After feeding us (and the five ragamuffins that still clung to our coattails after yesterday), he casually mentioned that he had some people for whom he would like us to play, if we could see our way clear. Several hours later and after dusk we docked in a falling-down river town with no name. With hats low and cloaks high we followed him through foul and narrow streets, for all the world like a clandestine band of brigands bent on mischief. What silhouettes we must have cut with our misshapen globs of instruments tacked about us here and there! But we arrived at last. It was a stable, I think, with four drafty walls, two of which were only half walls. Huddled on the floor and chained to posts were about twenty black Africans. I confess we all stopped in our muddy tracks but Mr S. went in among them and touched them and talked to them, though they clearly did not understand the words. Suddenly there was a light and some stiff cursing and an uncouth man in shirtsleeves and a rank beard appeared out of the darkness. We discovered as Mr S. talked civilly to him that he was the local law, and these slaves were in his custody till their master arrived in the morning to claim them. Mr S. said he was well-aware of the particulars, and wanted only to play a little music for their relief since it might be a language they understood. I doubt the profane man understood Mr S.'s point or his kindness, and for a long moment we were all sure our coming had been in vain. But at last he wavered (mostly, I believe, because he was cold and objecting would have meant more time away from his bed), gave us rough permission and stomped off. The cold was no little factor. All of our instruments gave voice to unholy cracks and squeals, but assuming the Africans had never heard them played aright, how could we fail? It was only after we had played an hour that we began to suspect our reasons for being there had not been foreseen in their entirety even by Mr S. On a sudden, one of the African women whom I had not observed closely, for she was deep in shadow, let our a sharp, bitten off cry. Several of the other women tried to reach her but the chains allowed only one to touch her hand. Rosie ceased her playing at once and hurried to her. The woman was in the midst of childbirth! She did her best to muffle her own cries, but we knew that it was only a matter of time before the Local Law would hear and arrive to beat her and evict us. Mr S. looked almost at a loss, but with one accord Emma, Betsy, Clara and Susan laid aside their instruments and joined Rosie with the woman. With the same accord, we remaining players grouped ourselves before the door and began to play— and sing— badly I'm afraid— to drown out the sound of life so that death could not hear. It was glorious! I am not given to vaunted prose, but it was glorious. I can only imagine how quickly the child would have come if the mother had not been confined to lying on her back, and had it not been freezing weather. As it was we only played for two hours before a new bellow threw off John's beat. We did not pause, though we were terribly tempted. We could only watch as the last drama unfolded. The woman wept with joy and with pain and with something else I could not name. She held her son, and suckled him, stroked his hair, black and short like hers, and crooned a wordless tune we could not hear. And then she lifted him up to Rosie as if for a blessing— and would not take him back. She turned her face to the wall and wept but no matter how the women pleaded with her she would not receive him again. Finally Mr S. led Rosie aside. I could just hear him over the din we still faithfully pumped from our chattering instruments. “She does not want for her son what the world has for her. Twenty came into this shelter. Let twenty be found in the morning. Take him out with your instruments— I will find a place for him.” And then Emma was standing by Rosie's side with her arms out. She took the child and looked long in his face. Then she threw her cloak over them both and sitting by the side of his mother she nursed him. I do confess that even the men among us shed tears at that point. And they were not all dry by the time we put away our instruments and crept out into the early dawn. Mr S. led us back through the town and onto the barge and away carrying stolen freedom with us. I do not doubt he put a great deal of coin in to Emma's hand before we parted, but it was not essential. By then that child was as much Emma's as he had been his mother's. I shall not forget that night.
Saturday Rain still. But Emma sings constantly and we do not notice the weather much. Mr S. gave John a handsome skin for a new drum head. And as we were leaving he handed me an e string. Had squirrel for supper.
Submitted by Jessie MacInnis
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When your invitation arrives in your email inbox, click on the link in the email and follow the instructions for either signing in to your Google account or for creating a new account, if you don't already have one.As a blog author, you'll be able to post your literary ideas by clicking on the "New Post" link either on your blogger "dashboard" or above right in the navigation bar of this page. To comment on other stories, click the "Comment" link at the bottom of the posts and submit your input.If you are unfamiliar with blogging, and need help, feel free to contact us at: blog.moderator@rosieandtheposers.com.
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In particular, contracts with writers will be drawn up as the need arises.
Monday, June 16, 2008
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2 comments:
First off, I love this story and can't wait to read where the rest of it is going! Now, to the picking of nits: to wit...
#1 "Persuaded her to let us bury it and..." I belive this would have had to been done in conjunction with a church and their paupers section of graveyard. Perhaps a fleeting referrence to this would dispel the notion of the Band just running around indiscriminately burying dead kids?
#2 "Gregory's March of Crey-morgan." Obviously a title in search of a song. When this story is in it's final form, perhaps song titles such as this one could be deftly written into the story three to four "reading minutes" apart and live linked so folks could hear the song just mentioned as they continue.
#3 "Our little London widow, Emma, sang, something Gaelic and barbaric." Sounds like a tremendous opportunity for a back story. Highland lass, child and husband, forced to flee starvation in the Highlands only to sicken and die in pre-industrial London? Or, is that just what she said...?
#4 "bridge in a slough" I think that should read, "bridge over a slough.."
#5 "Shared our supper with approx. 14 children this evening." This whole children under the bridge thing strikes me as a little gratuitous. Perhaps a little re-working is called for...?
http://en.wikipedia.org/wiki/Flora_MacDonald_%28Scottish_Jacobite%29
Check this out for potential source material for Emma's back story! She could be the daughter of Flora MacDonald, and, inheriting some of her mother's grit, courage, and quiet embracing of feminine subterfuge - helps the Posers out of vaious scrapes.
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